interior decoration

The barber shop in the Austin Reed store in London was designed by P. It was soon thought to be the trendiest barber shop in Britain because of its use of metallic materials.

interior decoration

These supplies reflected the dawning trendy age that was ushered in after the end of the First World War. The revolutionary combos of these materials created contrasts that had been very popular on the time – for example the mixing collectively of extremely polished wood and black lacquer with satin and furs.

The Art Deco style started in Europe within the early years of the 20th century, with the waning of Art Nouveau. The time period “Art Deco” was taken from the Exposition Internationale des Arts Decoratifs et Industriels Modernes, a world’s fair held in Paris in 1925. Art Deco rejected many traditional classical influences in favour of extra streamlined geometric varieties and metallic color. The Art Deco fashion influenced all areas of design, particularly inside design, as a result of it was the first type of inside ornament to spotlight new applied sciences and materials. As department stores elevated in quantity and dimension, retail spaces inside retailers had been furnished in several styles as examples for customers. One particularly effective promoting device was to arrange mannequin rooms at nationwide and worldwide exhibitions in showrooms for the general public to see. Some of the pioneering companies on this regard had been Waring & Gillow, James Shoolbred, Mintons, and Holland & Sons.

Some of the most commonly used objects embrace the likes of patio furniture, barbecues, waterfalls, fountains, lighting, seating, baths, showers, and sinks. The color themes of Art Deco consisted of metallic color, neutral colour, bright color, and black and white. In interior design, cool metallic colours together with silver, gold, metallic blue, charcoal gray, and platinum tended to predominate. Serge Chermayeff, a Russian-born British designer made intensive use of cool metallic colors and luxurious surfaces in his room schemes. His 1930 showroom design for a British dressmaking agency had a silver-gray background and black mirrored-glass wall panels. The use of tougher, metallic materials was chosen to rejoice the machine age.

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